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I consider myself a connoisseur of Dirty Dancing, the movie. After all, I have watched it over 30 times, most of them with my friend Heath when we were in our teens, and I was - and possibly still am - able to quote the entire movie word for word. In fact, Heath and I used to have sleepovers, where we'd be lying in bed and would, just for the hell of it, recite the script to each other, each playing specific parts (which we could swap at random - we were both experts on all characters). Like 80% of the rest of women on this planet, I crushed hard on Patrick Swayze's bad boy Johnny Castle, and imagined myself twirling and grinding a la Baby in the dance finale. I have even managed to get Shoes enthusiastic about doing the lift, although we have yet to come anywhere close to success. Lifting in the pool is not as easy as Johnny and Baby make it out to be.
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So, armed with an intimate knowledge of the movie, and even more importantly, an overwhelming passion for it (the only movie that equals it in my book is Braveheart, even though the two are incomparable in terms of genre), I went in expecting the best, but bracing myself for.... well, not so much. I hadn't researched the critics reviews before going, but I do remember coming across a few in the paper when the show first debuted on the West End over a year ago, and they weren't good. Mostly, they criticised the show for being an unoriginal carbon copy of the movie, and asked why one did not just take out the DVD. These poor misguided souls must either be a) male (and can therefore be forgiven for their delusion - no straight male on the planet likes Dirty Dancing) or b) female and Terminator fans. Of COURSE it's a carbon copy of the movie! This script has already been written; the story already read - can you imagine transporting it into the current decade with our leads meeting at an open casting for an MTV special? Eeeeww. The dialogue was lifted straight out of the film and the characters for the most part wore exactly the same costumes. This is because the purpose of this show is to bring the movie to life. To wow the audience with the up close, sparkling dance numbers and the incredible awkwardness of Baby that makes you cringe when she first meets Johnny in the dancers' shack. What would Dirty Dancing be without: I carried a watermelon?
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The first half was good; the second half absolutely killed it! Even though there were a couple of extra scenes that weren't in the movie, but which were also written by Eleanor Bergstein, the creator of the original film, the momentum was kept up, and we were made to feel like guests at the Kellerman's holiday camp. By the end, the audience was so involved and excited that there was a constant rumble, and by the time Johnny made his grand entrance from a side door and strode over to the Houseman's table to utter the immortal line, "Nobody puts baby in a corner" - everyone went completely hysterical with joy!
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